Ownership and Transfer of ‘Musical Work’ and ‘Sound Recording’– A Case for Service Tax

Authors

  • Anjali Agrawal Saikrishna & Associates, Jor Bagh, Delhi – 110 003, India
  • Shiv Singhal Jyoti Sagar Associates, Gurgram, Haryana – 122 009, India
  • M Sakthivel University School of Law and Legal Studies, GGSIP University, Dwarka, Delhi – 110 078, India

DOI:

https://doi.org/10.56042/jipr.v27i3.64892

Keywords:

Copyright, Economic Rights, Musical Work, Cinematographic Film, Service Tax, Contract of Service

Abstract

In the music industry, lyricists and composers enter into contracts with the cinematograph film producers for the
incorporation of their work into cinematograph films. However, the ownership of such copyrighted works is dependent on
the nature of the contract entered into between the parties and may lead to implications under the service tax regime. The
Madras High Court is currently deciding the veracity of the order passed by the Commissioner of Goods & Services Tax and
Central Excise, holding A.R. Rahman liable for paying service tax on the alleged services rendered by him. This paper
analyses the nature of contracts that individuals like A.R. Rahman might enter into with the producers of the cinematograph
film producers from the lens of the Indian Copyright Act, 1957 and thereafter discusses the possible implications of such
contracts from the prism of the service tax regime.

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Published

2023-07-17

How to Cite

Ownership and Transfer of ‘Musical Work’ and ‘Sound Recording’– A Case for Service Tax. (2023). Journal of Intellectual Property Rights (JIPR), 27(3), 227-235. https://doi.org/10.56042/jipr.v27i3.64892

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